Standing Virgin and Child

Niclaus Gerhaert von Leyden

An item at Metropolitan Museum of Art

Niclaus Gerhaert, a seminal artist of the generation preceding Albrecht Dürer’s, was presumably born in Leiden and was active in Strasbourg and Vienna, as well as in several cities between them. Three of his signed works are known and only four others, including this sculpture, have been seriously ascribed to him. The statuette expresses a combined sense of drama, monumentality, and elegance through the extraordinarily accomplished carving of the fine-grained wood. The rhythm and balance of the complex drapery folds are set off by fine linear detail and textural contrasts. Among the naturalistic details that subtly enhance the forms is the delicate manner in which the Virgin’s fingertips press into the chubby flesh of the Child. Intended as an object of private devotion, and part of a long tradition in the use of boxwood for this purpose, it may well have been commissioned by a member of the imperial court in Vienna. The dark base, with a fictive Dürer monogram and date on the back, is of later date. Both arms of the Child and the section of drapery held in his left hand are replacements.

Medieval Art and The Cloisters

An exhibit at Metropolitan Museum of Art

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.

Metropolitan Museum of Art