Leaf from a Beatus Manuscript: the Angel of the Church of Philadelphia with Saint John

Leaf from a Beatus Manuscript: the Angel of the Church of Philadelphia with Saint John

An item at Metropolitan Museum of Art

Illustrated Beatus manuscripts bring to life an extraordinary vision of the end of the world, as recorded by Saint John in the Apocalypse (Book of Revelation) and filtered through the lens of Beatus of Liébana, an eighth-century Asturian monk. These manuscripts are unique to medieval Spain and a testament to the pervasive artistry and intellectual milieu of monastic culture there. The leaf shown here comes from a manuscript disassembled in the 1870s. Philadelphia was one of the Seven Churches of Asia, commended for its faithfulness: "Behold, I have given before thee a door opened, which no man can shut: because thou hast a little strength, and hast kept my word and hast not denied my name." (Apoc. 3.8)

Medieval Art and The Cloisters

An exhibit at Metropolitan Museum of Art

Leaf from a Beatus Manuscript: the Angel of the Church of Philadelphia with Saint JohnLeaf from a Beatus Manuscript: the Angel of the Church of Philadelphia with Saint JohnLeaf from a Beatus Manuscript: the Angel of the Church of Philadelphia with Saint JohnLeaf from a Beatus Manuscript: the Angel of the Church of Philadelphia with Saint JohnLeaf from a Beatus Manuscript: the Angel of the Church of Philadelphia with Saint John

The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both The Met Fifth Avenue and in the Museum's branch in northern Manhattan, The Met Cloisters, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.