Hiranyakashipu commands his demon warriors to threaten and injure Prahlada. Preparatory drawing from the ‘Small Bhagavata Purana’ Series

Hiranyakashipu commands his demon warriors to threaten and injure Prahlada. Preparatory drawing from the ‘Small Bhagavata Purana’ Series

Manaku

An item at Metropolitan Museum of Art

The famed Indian painter Manaku was active in the small court of Guler, Himachal Pradesh, in the hills of north-western India, from ca. 1725 to ca. 1760. Manaku is renowned for having illustrated two great corpuses of Indian religious literature, the epic Ramayana and the Bhagavata Purana, the latter a monumental work celebrating devotion to Vishnu in his various guises. Book 7 of the Bhagavata Purana is in large part devoted to recounting the legend of the avatar Narasimha’s vanquishing of the demon (asura) king Hiranyakashipu. This drawing is a preparatory study for a Narasimha-legend sequence of folios for one such edition of the Bhagavata Purana. The scene of the demons tormenting the devotee (bhakti) Prahlada evocatively captures the mood of the text, the diminutive figure of the youthful prince standing, his hands raised together reverently in anjali to plead for Vishnu’s protection. Around him are the looming figures of three grotesque demons, two of whom wield spear-tipped tridents, carrying out the instructions of the demon-king, seated enthroned in his palace.

Asian Art

An exhibit at Metropolitan Museum of Art

Hiranyakashipu commands his demon warriors to threaten and injure Prahlada. Preparatory drawing from the ‘Small Bhagavata Purana’ SeriesHiranyakashipu commands his demon warriors to threaten and injure Prahlada. Preparatory drawing from the ‘Small Bhagavata Purana’ SeriesHiranyakashipu commands his demon warriors to threaten and injure Prahlada. Preparatory drawing from the ‘Small Bhagavata Purana’ SeriesHiranyakashipu commands his demon warriors to threaten and injure Prahlada. Preparatory drawing from the ‘Small Bhagavata Purana’ SeriesHiranyakashipu commands his demon warriors to threaten and injure Prahlada. Preparatory drawing from the ‘Small Bhagavata Purana’ Series

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.