Two Kyōka (Playful Thirty-One- Syllable Verse)

Two Kyōka (Playful Thirty-One- Syllable Verse)

Shokusanjin (Ōta Nanpo)

An item at Metropolitan Museum of Art

Two Japanese poems, one in oversized characters, the other more compactly rendered, are inscribed with dynamic flourish by Shokusanjin (Ōta Nanpo), one of the great literary arbiters of late Edo-period salon culture. The first poem celebrates the “New Plum Residence” in Edo (present-day Tokyo), which still survives, and includes the “Garden of One Hundred Flowers of Mukojima” (Mukojima Hakka-en), originally built by Sawara Kikuu (1762–1831), a wealthy literatus and antiquarian. The second poem is about the three spirits of poetry, Sumiyoshi-gami, Tamatsushima-gami, and Tenman-tenjin. Well versed in both classical Chinese and Japanese literature, Shokusanjin was on close terms with artists of various schools. Inscriptions in his idiosyncratic calligraphic style appear on many paintings of this era.

Asian Art

An exhibit at Metropolitan Museum of Art

Two Kyōka (Playful Thirty-One- Syllable Verse)Two Kyōka (Playful Thirty-One- Syllable Verse)Two Kyōka (Playful Thirty-One- Syllable Verse)Two Kyōka (Playful Thirty-One- Syllable Verse)Two Kyōka (Playful Thirty-One- Syllable Verse)

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.