Nanban Coffer with Animals and Landscapes

Nanban Coffer with Animals and Landscapes

An item at Metropolitan Museum of Art

The coffer—a rectangular, deep box with a half-cylindrical lid hinged at the back—is one of the earliest shapes of Japanese lacquer to have been exported to Europe in the second half of the sixteenth century. They vary considerably in size; the present example is one of the largest. Many were made in Kyoto using production techniques closely related to the Kōdaiji maki-e style. The maki-e and mother-of-pearl decoration of the front and on the lid consist of rectangular panels that each contain an “animal in a landscape.” These panels are divided by strips that appear to imitate the metal bands of European coffers but are filled with geometric patterns inspired by textile designs. The plants, trees, and flowers depicted are all Japanese, but the tiger, peacock, and cattle are exotic animals that the lacquer craftsmen had never seen alive. Probably, the inclusion of “foreign” animals seemed appropriate for the export market. At the same time, the elaborate gilt-bronze locks on the front are decorated with European-style angels.


Asian Art

An exhibit at Metropolitan Museum of Art

Nanban Coffer with Animals and LandscapesNanban Coffer with Animals and LandscapesNanban Coffer with Animals and LandscapesNanban Coffer with Animals and LandscapesNanban Coffer with Animals and Landscapes

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.