Vajrapani

An item at Metropolitan Museum of Art

This powerful figurine is best understood as the Mahayana bodhisattva Vajrapani, who appropriated the lighting-bolt scepter (Skt: vajra) of Indra, the Vedic storm god, and repurposed it. Its meaning shifted from that being associated with the life-affirming power of storms (e.g. the monsoons), to the Buddhist savior Vajrapani, who facilitates journeying the path of enlightenment and aiding crystal clear thought as penetrating as a lighting strike. In this, among the earliest representations known from the greater Kashmir world, the double-ended thunderbolt symbol is imposingly large, the shaft of which extends the length of Vajrapani’s figure. In addition to the massive device with its distinctive prongs, the bodhisattva holds a rosary (aksamala). His face is somewhat abraded but traces of a moustache remain, and he wears a distinctive headdress of an elaborate cockade with hanging strings of pearls disgorging from the center, in the Gupta-manner. Large annular earplugs, also of known Gupta type, are shown frontally. He wears a sacred cord (yanopavita) and short waist cloth with a sheathed dagger secured in the belt. In his raised proper left hand he holds the oversized vajra, and his head is framed by a large unadorned circular halo.

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art