Sarasa with Small Rosettes

An item at Metropolitan Museum of Art

The exceptional length of this cloth—more than seven feet—suggests its possible use as part of a waistband (obi). Indian sarasa was particularly popular in the Edo period (1615–1868) for obi and robe (kosode) linings. Although the fabric was made in India, the repeating pattern of regularly spaced rosettes and roundels was based on Japanese sources. The motifs evoke Japanese Buddhist iconography—the lotus and the wheel—as well as the traditional chrysanthemum. This type of design is present in late eighteenth-century Japanese sarasa manuals published in Edo and Kyoto. These manuals, with color directives that encouraged Japanese textile printers to copy the Indian designs, confirm that sarasa were widely circulated even before such publications appeared. cat. no. 34

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art