The God of Good Fortune Jurōjin

Soga Shōhaku

An item at Metropolitan Museum of Art

Jurōjin, one of the seven Japanese gods of good fortune, is seated in a small boat with a white deer, his frequent companion. To compound the felicitous imagery, Jurōjin hoists a small minogame (straw-raincoat turtle) into the boat, and above him soars a crane, both symbols of longevity. The “mantle” of the turtle is formed from seaweed and attests to how long the amphibious animal has lived. Jurōjin’s forehead is traditionally depicted as overly large or elongated, emblematic of his wisdom. The accenting of his mouth and lips with bright red, a color associated with the budding of flowers in spring, adds to the celebratory effect of this work, no doubt made for the New Year. The vigorous ink brushwork used to delineate the forms of the tree and stones, including Chinese “axe-cut” strokes, are characteristic of Soga Shōhaku’s work, though here might have been created with the assistance of members of his atelier. The rendering of the facial features and hands of Jurōjin, the representation of the deer, as well as the dynamic curved strokes of the waves, bespeak the brush of the master. The impression of the "Kiichi" seal is one known from other accepted Shōhaku works.

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art