
Hotei
Kano Takanobu
An item at Metropolitan Museum of Art
Hotei, a popular figure in the Zen pantheon, is often depicted as a rotund, good-humored monk carrying a large sack. A semihistorical figure, he is believed to have lived in southern China in the late ninth century and was eventually recognized as a manifestation of Miroku, Buddha of the Future. The poetic text here, from a eulogy for Hotei by the Chinese Daoist Bai Yuchan (1194–1229), was inscribed by Tetsuzan Sōdon, a leading monk-scholar who served as abbot of the Zen monastery Myōshinji in Kyoto. Hotei’s sack encompasses the Great Emptiness. Holding a staff, he tramps around three thousand worlds. Miroku claps his hands, and laughs— ha, ha! The bright moon shines, the wind disappears. —Translated by John T. Carpenter
Asian Art
An exhibit at Metropolitan Museum of Art
The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.