Eleven-headed bodhisattva Guanyin

Eleven-headed bodhisattva Guanyin

An item at Metropolitan Museum of Art

The central figure in this magnificent embroidery is eleven-headed Guanyin, one of many manifestations of the compassionate bodhisattva. The eleven heads symbolize steps on the path to enlightenment. This hanging illustrates the highest achievement of imperial Qing embroidery works of the eighteenth century. The embroidery features elaborate details. These include one thousand arms encircling Guanyin’s body with an eye in the center of the palm of each hand. An ink inscription on the object’s back panel indicates it was created in 1778 under the third Changkya Khutukhtu (1717–86), a Mongolian Tibetan Buddhist representative at the Qing court. Caption: Inscription on the back in Chinese, Manchurian, Tibetan, and Mongolian: “On the twenty-fourth day of the fourth month of the forty-third year of Qianlong reign [May 20, 1778] the Emperor [Qianlong] commanded the Changkya Khutukhtu to supervise this embroidery [of] eleven-headed Bodhisattva Guanyin.”


Asian Art

An exhibit at Metropolitan Museum of Art

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The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.