Fenggan, Hanshan, and Shide

Fenggan, Hanshan, and Shide

Reisai

An item at Metropolitan Museum of Art

From their perch on a rocky precipice, three figures look out over clouds rising from a valley below. At left are Hanshan and Shide (Japanese: Kanzan and Jittoku), Chan (Japanese: Zen) monks who held low-level positions at Guoqingsi, a temple on China’s Mount Tiantai. The reclusive monk-poet Hanshan, shown carrying a bucket, was said to have gathered leftover food from the temple kitchen, where he worked. Shide holds a broom indicating his role as the temple janitor. The older, contemplative figure at right is their teacher Fenggan (Japanese: Bukan) who lived, according to legend, with a pet tiger, easily overlooked as he naps by a rock. Although these paintings—once the flanking scrolls of an iconic triptych—bear no seals or signatures, they have long been attributed to Reisai based on style. Reisai was a follower of Kichizan Minchō (1352–1431), an artist active in the painting atelier of the Zen monastery Tōfukuji in Kyoto.


Asian Art

An exhibit at Metropolitan Museum of Art

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The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.