Piece from a Kosode with Camellias and Fence

Piece from a Kosode with Camellias and Fence

An item at Metropolitan Museum of Art

The fence with camellias must have zig-zagged its way up the body of the kosode from which this fragment came. The kanoko spots of both the camellias and fence appear to have been produced with a stencil, not by tying in the shibori technique. Although stencil-dyed kanoko has sometimes been thought to be related to sumptuary laws of the early 1680s, an earlier securely dated kanoko robe of the mid-seventeenth century shows clear evidence of having been patterned by stencil.


Asian Art

An exhibit at Metropolitan Museum of Art

Piece from a Kosode with Camellias and FencePiece from a Kosode with Camellias and FencePiece from a Kosode with Camellias and FencePiece from a Kosode with Camellias and FencePiece from a Kosode with Camellias and Fence

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.