Maharana Sarup Singh Inspects a Prize Stallion

Tara

An item at Metropolitan Museum of Art

The artist Tara, who worked primarily during the reign of Sarup Singh (r. 1842–61), maharana of Mewar, often employed formal perspectival devices to bring structure to his large-scale paintings. In this grand picture of a tented camp, we see the maharana being presented with a prize stallion, perhaps a gift to mark his birthday. The inscription on the reverse refers to the horse by name but makes no reference to the event being celebrated. The ruler and his courtiers, along with a troupe of female singers and dancers with musicians, all wear pink dress—even the attendants have donned pink turbans, and the stallion and hunting dog pink blankets—a curious feature that must reflect this special but unidentified occasion. Tara’s work stands at the threshold between late Indian painting traditions and early experiments in photography. Both of his two sons trained under him as painters, and the younger, Mohanlal, became a well-known photographer in the 1870s.

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art