Pavilion amongst Wintry Trees after Ni Zan

Qi Zhijia

An item at Metropolitan Museum of Art

Qi Zhijia, whom a contemporary described as being "addicted to calligraphy, painting, kickball, cymbal music, and opera," was a native of Shanyin, Zhejiang Province. He served briefly as an official under the Ming dynasty, but retired after the Manchu conquest of 1644, adopting the lifestyle of a scholar-recluse. Renown as a poet and calligrapher, he also excelled in landscape painting in the styles of the tenthcentury masters Dong Yuan and Juran. In this painting Qi has adopted the spare landscape idiom of the scholar-artist Ni Zan (1306–1374). Typified by an isolated grove of trees or empty pavilion set within an austere river landscape, Ni's images have long been understood as emblematic of the displacement and isolation experienced by many members of the educated elite during the disintegration of the Mongol Yuan dynasty. After the fall of the Ming, many loyalists consciously evoked Ni's pictorial imagery as a way of expressing their response to dynastic collapse.

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art