A New Series of Fifty Poets' Stanzas of the Temmei Period; A Bookcase of Humorous Poems in the Azuma (i.e. Edo) Style

A New Series of Fifty Poets' Stanzas of the Temmei Period; A Bookcase of Humorous Poems in the Azuma (i.e. Edo) Style

Kitao Masanobu (Santō Kyōden)

An item at Metropolitan Museum of Art

This compendium is a pastiche of the time-honored convention of assembling the best poets and a single representative poem for each. The fifty poets here are Kyōden's contemporaries in the irreverent world of Kyōka poetry. The rich colors and striking details like the pile of books bending beneath the weight of the haikai poet known by the pen name Kabe no Nakanuri (1769–1832) on the right-hand page are typical of the printed work done for literary circles at this time.


Asian Art

An exhibit at Metropolitan Museum of Art

A New Series of Fifty Poets' Stanzas of the Temmei Period; A Bookcase of Humorous Poems in the Azuma (i.e. Edo) StyleA New Series of Fifty Poets' Stanzas of the Temmei Period; A Bookcase of Humorous Poems in the Azuma (i.e. Edo) StyleA New Series of Fifty Poets' Stanzas of the Temmei Period; A Bookcase of Humorous Poems in the Azuma (i.e. Edo) StyleA New Series of Fifty Poets' Stanzas of the Temmei Period; A Bookcase of Humorous Poems in the Azuma (i.e. Edo) StyleA New Series of Fifty Poets' Stanzas of the Temmei Period; A Bookcase of Humorous Poems in the Azuma (i.e. Edo) Style

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.