Lacquer Paintings of Various Subjects: Butterflies

Lacquer Paintings of Various Subjects: Butterflies

Shibata Zeshin

An item at Metropolitan Museum of Art

The strong color effect seen in this album is achieved by using lacquer as a painting medium. Painting with lacquer on paper was one of the techniques Zeshin developed into his own style. Despite the heavy material, Zeshin's skillful brushwork and his technical inventions with the material made it possible to create various textures as with ink painting. In addition, some lacquer techniques, like mother-of-pearl inlays and the creation of rough surfaces, are also used. Up until the middle of the Meiji period, lacquer was limited to roughly five colors—black, brown, vermillion, green, and yellow—which determined the color palette of Zeshin's lacquer paintings.


Asian Art

An exhibit at Metropolitan Museum of Art

Lacquer Paintings of Various Subjects: ButterfliesLacquer Paintings of Various Subjects: ButterfliesLacquer Paintings of Various Subjects: ButterfliesLacquer Paintings of Various Subjects: ButterfliesLacquer Paintings of Various Subjects: Butterflies

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.