Splendor of the Procession of General Grant from America (Beikoku Guranto-shi go tsūkō no han'ei)

Toyohara Kunichika

An item at Metropolitan Museum of Art

This print was commissioned to commemorate the former American president's visit to Tokyo (Edo was renamed Tokyo when the emperor made it his residence in 1868) and his attendance at a Kabuki performance. Like many prints executed during the Meiji era, this one acted as a type of Japanese photojournalism. As such, the speed with which it was executed and the number of copies made are partly responsible for the general decline in quality most noticeable in the color registration and uneven paint application. The setting of the print can be identified as Tokyo's new Western-style Main Street located in the Ginza district and designed by the English architect Thomas Waters. In their choice of setting, Kunichika and Kunisada III consciously celebrate the advent of modernism in Japan. Likewise, the artists made a bold statement of the Meiji era's strong nationalistic sentiment by the repetition of Japan's newly adopted flag and by the rhythms created by the pattern of the flags' brillian red centers. The bold silhouettes of hte seven Kabuki actors, one of whom wears a Western bowler hat, dominate the print as they watch Grant's silhouetted procession. According to Julia Meech, the dramatic emphasis of the actors' silhouettes recalls the tradition of Japanese shadow theater, a premise strengthened by the hand gestures made by four group members.

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art