The Immortal Li Tieguai

Su Renshan

An item at Metropolitan Museum of Art

A true eccentric, Su Renshan was virtually unknown during his lifetime but was discovered in the twentieth century. Born just south of Canton, Su was given a classical education but failed the provincial civil-service examination. He gave up the pursuit of an official career and, at age twenty-two, devoted himself to painting. In 1842 a family dispute caused Su to leave home for five years. When he returned in 1848, he was denounced as unfilial by his father and imprisoned in the local jail, where he died in 1850. Su's seemingly innocuous Immortal Li Tieguai, painted in the late 1840s, conveys the artist's growing frustration at having his talents go unrecognized. Li Tieguai (Li of the Iron Crutch) was one of the legendary Eight Immortals of the Daoist pantheon. Once, when Li was transmigrating outside his body, his seemingly lifeless form was discovered and cremated. When Li returned and found his body gone, he was forced to inhabit the body of a crippled beggar. In Su's humorous depiction, the immortal is shown sleeping, clutching his knees, his iron staff beside him, the brim of his straw hat framing his body like a halo. A gourd, symbol of immortality because of a paradise magically concealed within, lies on the ground. Both the gourd and the immortal are presented frontally, their foreshortened forms appearing as a series of concentric contours.

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art