Chrysanthemums by a rock

Chrysanthemums by a rock

Gao Fenghan

An item at Metropolitan Museum of Art

At the age of fifty-four Gao Fenghan lost the use of his right hand. Painfully retraining himself to write and paint with his left hand, he came to prize the naive awkwardness of his left-handed brushwork. He lived in a Buddhist monastery in Yangzhou for four years, became close friends with several of the so-called Eight Eccentrics of Yangzhou, then retired to his hometown in Shandong Province in 1741. Chrysanthemums by a Rock is a dashing performance of Gao's mature years. Although done in his highly expressive left-handed style, his vigorous wet brushwork is a direct outgrowth of the lush exuberant flower paintings of Shitao (1642–1707), who lived in Yangzhou for the last twelve years of his life. Gao's calligraphy is dynamically integrated with his painting. Filling in the leftover space, the robust rhythms of the writing seem a natural companion to the flowers and rock.


Asian Art

An exhibit at Metropolitan Museum of Art

Chrysanthemums by a rockChrysanthemums by a rockChrysanthemums by a rockChrysanthemums by a rockChrysanthemums by a rock

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.