Fukurokuju

Katsukawa Shunshō　勝川春章

An item at Metropolitan Museum of Art

Another auspicious symbol for the New Year, Fukurokuju embodied both wisdom and long life in his truncated body and elongated head, carrying a sutra scroll from his walking stick. The Seven Gods of Good Fortune were very popular objects of worship among merchants in Edo and Osaka society. This immortal was also considered the personification of the south pole star in Chinese astrology. Katsukawa Shunshō was a major ukiyo-e painter and print designer active in the latter half of the eighteenth century; a painting of Fukurokuju seems a departure from his usual subjects of beauties and actors. Most likely done late in his life, this hanging scroll painted in an eccentric, bravura ink style must have had personal meaning and may have been created in the company of friends. The inscription on the top, which postdates the painting, is by the kyōka poet Tegara no Okamochi (1734–1812), who is best known for a poem on old age titled Year's End: Toshi nami no yo suru hitai no shiwami yori kururu wa itaku oshimare ni keri. Mistaking the many years breaking across one's forehead in wrinkles for waves against the shore we suddenly feel deeply our own regrets at their passing.

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art