Visiting a Friend in Autumn

Visiting a Friend in Autumn

Okada Beisanjin

An item at Metropolitan Museum of Art

The water swirls beneath the pilings of the house on the river, the clouds encircle the mountainsides, on every branch the red leaves of autumn, the wooden gate opens to the guests. Beisanjin's poem and painting Active in the late eighteenth and early nineteenth centuries, Beisanjin created spirited works that made a colorful contribution to the late phase of Nanga painting. A rice merchant by trade, Beisanjin associated with the sophisticated aesthetes of Osaka's literati circles, which inspired him to cultivate his avocation of painting. His brusque and seemingly naive brushwork has a certain power that captures the vivacious spirit of Osaka, a flourishing center of commerce and finance. Tanomura Chikuden (1777–1835) wrote that Beisanjin's paintings "are not what one could call technically accomplished, but he made pictures that are like a sudden revelation of nature's meaning within the heart."


Asian Art

An exhibit at Metropolitan Museum of Art

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The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.