“Channel Markers” (Miotsukushi)

An item at Metropolitan Museum of Art

This section of a rare medieval polychrome handscroll illustrates a scene from “Channel Markers,” Chapter 14 of the tale. Genji visits Sumiyoshi Shrine to thank the local deities for answering his prayers and allowing his safe return from exile at Suma. Without showing landscape background, the artist remains faithful to the author’s description: “Genji had arranged for an escort of ten charming page boys, all the same height and outfitted in a most delightful style, their long hair bound in loops at their ears with thin white cords that had been dyed purple at the tips. All in all, they presented a vibrant, refined appearance that was strikingly modern.” Genji appears midway through the procession, partially concealed in his ox-driven carriage but with his face visible through the window. Genji writes to the Akashi Lady: みをつくし恋ふるしるしにここまでもめぐりあひけるえにはふかしな The channel markers show how far love has taken us, and how I’ve given fully of myself since fate brought us together because of our deep karmic ties.

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art