
Twilight Moon at Ryōgoku Bridge
Utagawa Hiroshige
An item at Metropolitan Museum of Art
The Ryōgoku Bridge depicted here was one of the most important landmarks in the Edo townscapes. Spanning Edo's widest river, the Sumida, this bridge was one of the largest and most beautiful bridges in the capital. Hiroshige focuses on the dynamic forms of the strut system supporting the bridge, a symbol of modern Edo technological advances. Also symptomatic of Edo modernity was the development of recreational boating for the middle class. While the passengers enjoyed the Sumida River from covered gondolas (yakatabune) such as those seen here, the bridge piers would cut the landscape into unexpected shapes. Hiroshige depicts just such a scene here; the double-x form of the Ryōgoku bridge foundation is strikingly superimposed on a backdrop of a full moon and zigzagging clouds hovering over the watersurface. Although Hiroshige's use of the pseudonym "Ichiyūsai" as his signature indicates a date fairly early in his career, the bold confident design typical of his mature style can already be detected in this scene from the series "Famous Sights of the Eastern Capital."
Asian Art
An exhibit at Metropolitan Museum of Art
The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.