Koshikibu no Naishi (999–1025), from "Hyakunin Isshu" (One Hundred Poems by One Hundred Poets)

Koshikibu no Naishi (999–1025), from "Hyakunin Isshu" (One Hundred Poems by One Hundred Poets)

Suzuki Harunobu

An item at Metropolitan Museum of Art

Immortalized in the "Hyakunin Isshu" is the poetic exchange envision here between the lady-in-waiting Koshikibu and the courtier Fujiwara Sadayori. Both had been summoned to a poetry contest. Here, Koshikibu responds to his teasing suggestion that she needs help from her absent mother, the famous poetess Izumi Shikubu, with brilliant repartee. Her response takes the form of an impromptu poem that includes a triple pun on the famous scenic places Oeyama, Ikuno, and Ama no hashidate: Oeyama ikuo michi mo to kereba mada fumi mo mizu Ama no hashidate. Both Mount Oe and the road to Ikuno are far away. I've never been there, nor has word come from Ama no hashidate.


Asian Art

An exhibit at Metropolitan Museum of Art

Koshikibu no Naishi (999–1025), from "Hyakunin Isshu" (One Hundred Poems by One Hundred Poets)Koshikibu no Naishi (999–1025), from "Hyakunin Isshu" (One Hundred Poems by One Hundred Poets)Koshikibu no Naishi (999–1025), from "Hyakunin Isshu" (One Hundred Poems by One Hundred Poets)Koshikibu no Naishi (999–1025), from "Hyakunin Isshu" (One Hundred Poems by One Hundred Poets)Koshikibu no Naishi (999–1025), from "Hyakunin Isshu" (One Hundred Poems by One Hundred Poets)

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.