Parody of Murasaki, from "Lavender" (Wakamurasaki), chapter 5 of the Tale of Genji

Parody of Murasaki, from "Lavender" (Wakamurasaki), chapter 5 of the Tale of Genji

Kawamata Tsuneyuki

An item at Metropolitan Museum of Art

The Tale of Genji was the most celebrated courtly romance of the twelfth century. The scene parodied here refers to the moment when the story's protagonist, Genji, glimpses the young Murasaki for the first time, gazing upon her as she sorrowfully observes a baby sparrow that has gotten free of its cage. Murasaki would later become Genji's favorite love. The artist has translated the figure of Murasaki into a confident, contemporary woman, standing in an assured pose and flanked by cherry blossoms. She assumes a central position, while the spying Genji has been eliminated from the scene. Instead, it is the viewer who is invited to observe her beauty.


Asian Art

An exhibit at Metropolitan Museum of Art

Parody of Murasaki, from "Lavender" (Wakamurasaki), chapter 5 of the Tale of GenjiParody of Murasaki, from "Lavender" (Wakamurasaki), chapter 5 of the Tale of GenjiParody of Murasaki, from "Lavender" (Wakamurasaki), chapter 5 of the Tale of GenjiParody of Murasaki, from "Lavender" (Wakamurasaki), chapter 5 of the Tale of GenjiParody of Murasaki, from "Lavender" (Wakamurasaki), chapter 5 of the Tale of Genji

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.