“Universal Gateway,” Chapter 25 of the Lotus Sutra

“Universal Gateway,” Chapter 25 of the Lotus Sutra

Sugawara Mitsushige

An item at Metropolitan Museum of Art

This scroll, with thirty-four images from the Lotus Sutra’s “Universal Gateway of the Bodhisattva Perceiver of the World’s Sounds,” is the earliest known painted version, in one handscroll, of this litany praising the manifold mercies of the bodhisattva Kannon (Sanskrit: Avalokiteshvara). This chapter with illustrations, singled out for special worship, was popular in China as early as the Tang dynasty. A Song-dynasty printed version reached Japan by the thirteenth century. According to the calligrapher’s inscription, this scroll, made in 1257, was modeled after a Song printed book of 1208, which in turn was based on a painted scroll. No Chinese model for this scroll has been discovered, but many similar printed versions from later periods are preserved in China and Japan. The anonymous artist who transformed the Chinese original into a painted handscroll inventively incorporated indigenous yamato-e elements, especially in the landscapes.


Asian Art

An exhibit at Metropolitan Museum of Art

“Universal Gateway,” Chapter 25 of the Lotus Sutra“Universal Gateway,” Chapter 25 of the Lotus Sutra“Universal Gateway,” Chapter 25 of the Lotus Sutra“Universal Gateway,” Chapter 25 of the Lotus Sutra“Universal Gateway,” Chapter 25 of the Lotus Sutra

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.