
Guanyin the Bringer of Sons
Unidentified artist
An item at Metropolitan Museum of Art
A rare example of ecclesiastical painting from the end of the Ming period, this richly colored painting presents Guanyin (Avalokiteshvara in Sanskrit), the Bodhisattva of Infinite Compassion, in a peculiarly Chinese manifestation as the provider of male offspring. Guanyin is seated on a lion (a symbol of royalty in India), descending toward the worshiper on a plume of clouds while holding a baby in his arms. The child is girded by a jewel-encrusted belt and holds an imposing seal, both emblems of high official rank. Below him is the adoring figure of Sudhana, the young boy whose auspicious birth enabled him to set forth immediately on a quest for spiritual enlightenment.
Asian Art
An exhibit at Metropolitan Museum of Art
The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.