
Guanyin the Bringer of Sons
An item at Metropolitan Museum of Art
The most precious treasure in premodern China was a son to carry on the family legacy. Reflecting this fervently held wish, a new form of Guanyin emerged that presented the bodhisattva as a bestower of sons. This intimate sculpture, in which Guanyin cradles the hoped-for baby boy, would have been made for personal veneration by a wealthy devotee who wished to become a mother. Note that the precocious child holds a book—a sign that he will become a great scholar and thereby advance the family’s standing.
Asian Art
An exhibit at Metropolitan Museum of Art
The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.