Wintry plum

Ni Jing

An item at Metropolitan Museum of Art

Plum blossoms were first depicted as an independent subject by the eleventh-century Chan (Zen, in Japanese) monk Zhongren Huaguang. In this work by the otherwise unknown Buddhist monk Ni Jing, both composition and brushwork derive from the renowned Yuan-dynasty plum painter Wang Mian (d. 1359). The plum, the first flower to appear in spring, is celebrated along with bamboo and pine as one of the Three Friends of Winter. Admired for its purity and hardiness, sending forth new shoots and delicate blossoms from seemingly lifeless branches, the plum became a symbol of survival, rejuvenation, and longevity. Here, the tight clusters of pale blossoms and buds indicate that the plum has just begun to flower. The artist’s poem reads: Blossoms compete with the moon in luminosity, One hundred of them merge and make me suspect that snow has fragrance. Worldly men vie in boasting fine colors, Do not call for hand-scooped water to rinse off the pink adornment.

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art