Wind among the Trees on the Riverbank

Wind among the Trees on the Riverbank

Ni Zan

An item at Metropolitan Museum of Art

Between 1356 and 1366 Ni Zan led a refugee's life, residing with his family southwest of Suzhou at a place he nicknamed the Snail's Hut. Compared to his Wuxi days, this was "another lifetime," but the family was able to settle down to an existence of "simple sustenance, harmony, and happiness." His paintings and calligraphy from this period are more assured and relaxed; consequently, they sometimes appear sketchy, a characteristic Ni consciously sought: "Try to do things in a sketchy manner. Develop forms with a free hand . . . by following your ideas and feelings." This painting, made for fellow scholar-artist Yu Kan (active 14th century), reflects Ni's spontaneous manner. Painted the same year Ni's wife died, it may also express the artist's growing sense of isolation. His inscription reads: On the riverbank, the evening tide begins to fall; The frost-covered leaves of the windblown grove are sparse. I lean on my staff—the brushwood gate is closed and silent; I think of my friend—the glow is nearly gone from the hills.

Asian Art

An exhibit at Metropolitan Museum of Art

Wind among the Trees on the RiverbankWind among the Trees on the RiverbankWind among the Trees on the RiverbankWind among the Trees on the RiverbankWind among the Trees on the Riverbank

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.