Writing Desk (Bundai) with Landscape and Geese

Writing Desk (Bundai) with Landscape and Geese

An item at Metropolitan Museum of Art

Lacquer writing desks were usually created in sets with boxes (suzuribako) to hold paper and writing implements. The earliest forms of the low table are documented in medieval handscroll paintings; most are undecorated and have shorter legs. The size and shape of the writing table became standardized in the Muromachi period (1392–1573) and remained unchanged through the Edo period, as seen in paintings representing Murasaki Shikibu at her desk composing The Tale of Genji. This desk, prepared in homage to earlier examples, has a landscape with a waterfall and geese among waves. The maki-e decoration covers only a small portion of the writing surface, in keeping with the desk’s function. The style of the sparse decoration recalls Japanese appreciation of Chinese ink paintings introduced by Zen monasteries.

Asian Art

An exhibit at Metropolitan Museum of Art

Writing Desk (Bundai) with Landscape and GeeseWriting Desk (Bundai) with Landscape and GeeseWriting Desk (Bundai) with Landscape and GeeseWriting Desk (Bundai) with Landscape and GeeseWriting Desk (Bundai) with Landscape and Geese

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.