Vajrapani, the Thunderbolt-bearing Bodhisattva

Vajrapani, the Thunderbolt-bearing Bodhisattva

An item at Metropolitan Museum of Art

This is a rare representation of the Buddhist savior Vajrapani from the seventh century or soon after. Vajrapani, the “holder of a thunderbolt” (vajra), shares his origins with the Vedic deity Indra, god of storms. Early in Buddhist iconography, the thunderbolt scepter assumed an independent meaning associated with clarity of pure thought leading to enlightenment. Vajrapani stands flexed holding the vajra in his raised hand, the other resting on the dwarf attendant with a club-axe who seemingly mimics his gestures. Vajrapani has long, unkempt dreadlocks that imply an esoteric aspect to his personality, evocative of Shiva; the large, asymmetrical ear ornaments only strengthen this association, as does the gana-type dwarf guardian. He is best understood as a purusa, a personification of Vajrapani’s “weapon,” a visualization practice very much in vogue in this period in Hindu iconography, especially in Kashmir. A Sanskrit inscription in proto-Bengali script extends down one side of the stele.

Asian Art

An exhibit at Metropolitan Museum of Art

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The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.