Page from a Dispersed Ramayana (Story of Rama)

Page from a Dispersed Ramayana (Story of Rama)

An item at Metropolitan Museum of Art

In the Hindu epic the Ramayana, the demon-king Ravana captures Sita; Rama, her husband, secures her release only after waging a long and brutal war. Although Sita successfully undergoes a trial by fire to prove her virtue, Rama sends her into exile in the forest to quell the rumor that she has been raped. In this drawing, Rama's brother Lakshmana, turns to the river after reluctantly leaving Sita in the forest, prostrate with grief. At the upper right, Sita is surrounded by animals who vow to remain silent until she is exonerated. The peacock, whose cry is associated with amorous longing, is particularly significant in the case. At the lower right, Sita is pictured with Valmiki, the poet of the revered Sanskrit rendition of the Ramayana that the artist is illustrating. Valmiki, an ascetic, approaches Sita to comfort her. She sits in the conventional posture of deep sorrow, back somewhat slumped forward and head in hand. The artist has indicated the names of the characters and, on Lakshmana's robe, the color to be applied-badami, or almond.


Asian Art

An exhibit at Metropolitan Museum of Art

Page from a Dispersed Ramayana (Story of Rama)Page from a Dispersed Ramayana (Story of Rama)Page from a Dispersed Ramayana (Story of Rama)Page from a Dispersed Ramayana (Story of Rama)Page from a Dispersed Ramayana (Story of Rama)

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.