Hanuman before Rama and Lakshmana: Folio from the dispersed “Mankot" Ramayana series

An item at Metropolitan Museum of Art

When Hanuman, as the messenger of Sugriva, first encounters Rama and Lakshmana, he assumes the form and aspect of a sage. After much discussion a pact of friendship is decided upon and Hanuman returns to his natural monkey form. This moment was chosen, as Hanuman's disguise would have confused the viewer; moreover this portrayal allowed the artist to emphasize his role as a general of the great monkey army. The Mankot Ramayana series (see also Lakshmana and Sugriva Being Carried by Palanquin to Receive Rama's Blessings) focuses on Rama's exile in the forest; the heroes are depicted in the attire of forest dwellers—leaf shirts and hats—and the landscape is rendered in green. The narrow skyline is broken by jagged storm clouds, descendents of the Persian clouds introduced 150 years earlier.

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art