Blindman's Bluff: Page From a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu)

An item at Metropolitan Museum of Art

During the eighteenth century, artists continued to use the bright colors, flat shapes, frontal compositions, and stylizations typical of seventeenth-century Mewari painting- but only in illustrations of religious and literary texts, possibly because the old style was considered well suited to the mythological realm. As is apparent from this picture of Krishna's childhood games, the one innovation that was introduced into such manuscript paintings in the eighteenth century was the sporadic evocation of a deeper, more tangible space. The individual objects still appear two-dimensional here, but they are freed from the ground plane and arranged against a high horizon in a manner that suggests spatial recession. Although the implied depth is reinforced by overlapping trees, the diagonal slant of the river, and flat planes of color, the use of profiles and the fairly rigid frontality do not let viewers forget that they are looking at a two-dimensional, decorated surface.

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art