Four Love Scenes and a Landscape: Page from a Dispersed Raskapriya

Four Love Scenes and a Landscape: Page from a Dispersed Raskapriya

An item at Metropolitan Museum of Art

The lowest register sets the context for the multiple scenes above; a couple stands on a terrace in a complex of buildings on the banks of a wooded stream. The couple appears four times; in each instance the chamber is distinct and the couple is dressed in different garb. The separation of these scenes likely relates to different types of interactions between lovers, as recounted in the Rasikapriya.


Asian Art

An exhibit at Metropolitan Museum of Art

Four Love Scenes and a Landscape: Page from a Dispersed RaskapriyaFour Love Scenes and a Landscape: Page from a Dispersed RaskapriyaFour Love Scenes and a Landscape: Page from a Dispersed RaskapriyaFour Love Scenes and a Landscape: Page from a Dispersed RaskapriyaFour Love Scenes and a Landscape: Page from a Dispersed Raskapriya

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.