Seeing a Performance

Kitagawa Utamaro

An item at Metropolitan Museum of Art

A monkey performance is being held at the home of a samurai (seated at the lower left) to ensure good luck during the coming year. The artist's suspension of two figures in half-silhouette is a unique usage of the convention. These women behind a sudare byōbu (bamboo-slat screen) can view the festivities privately. To simulate the screen's diffusing quality, Utamaro softened the women's features in comparison to the other figures. Utamaro also dealt with the theme of voyeurism in this ehon (illustrated book) of kyōka (comic poetry), containing five double-page scenes of New Year's Day celebrations. The exquisite workmanship of this print is typical of ehon portfolios, which were commissioned by connoisseurs and consequently utilized only the finest ink, paper and bindings. A monkey performance is being held at the home of a samurai (seated at the lower left) to ensure good luck during the coming year. The artist's suspension of two figures in half-silhouette is a unique usage of the convention. These characters—the samurai's wife and her attendant—are seen behind a sudare byōbu (bamboo-slat screen), where they can view the festivities privately. To simulate the screen's diffusing quality, Utamaro softened the women's features in comparison to the other figures. Likewise, Utamaro isolates the pair through his monochrome treatment that is in somber contrast to otherwise rich color and sprinkled gold

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art