Landscapes with poems

Gong Xian

An item at Metropolitan Museum of Art

Remaining loyal to the vanquished Ming dynasty, the hermit Gong Xian came to terms with himself as an yimin, or “leftover subject,” under the Qing dynasty (1644–1911). In this leaf, from an album in which he compared his favorite haunts in and around the former Ming capital of Nanjing with the abodes of the immortals, Gong complemented his image of a reclusive dwelling with a poem that contrasts the ability of orchids, symbols of virtuous men, to endure the cold winter, while brambles — lowly men — are used as firewood. The artist perfected a technique of ink wash and dotting that enabled him to achieve both density and translucency in his paintings.

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art