Spring Festival on the River

Unidentified artist

An item at Metropolitan Museum of Art

In the early twelfth century the court artist Zhang Zeduan painted a handscroll depicting the Northern Song capital of Bianliang (Kaifeng) at the time of the Spring Festival (Qingming jie). Zhang's painting, which lovingly and minutely describes the daily life of the capital's inhabitants, became the paradigm for more than forty later evocations of this theme. This version, which is longer, compositionally more complex, and more brilliantly colored than the Song original, reflects the stylistic innovations of the Suzhou professional painter Qiu Ying (ca. 1495–1552), whose signature has been added at the end. But there are several reasons for assigning the scroll to a later date. Not only is the execution less meticulous than that of genuine works by Qiu, but the addition of elaborate palaces, a display of horsemanship and archery skills, an imperial procession, and a hunt— none of which appear in the original—point to the influence of imperially sponsored commemorative paintings that originated with the Southern Inspection Tour of the Kangxi emperor (r. 1662–1722).

Asian Art

An exhibit at Metropolitan Museum of Art

The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Metropolitan Museum of Art