Pellet Crossbow
An item at Metropolitan Museum of Art
The slender stock of walnut is rectangular in section, straight at the butt, with a deep dip between the bow and release hook. The stock is carved on top with a crouching dragon-like creature and at the front end with a grotesque animal head. The butt tapers slightly and terminates in a turned ebony finial. The bow of polished steel is fitted with a bowstring made of two parallel cords, separated by wooden spacers, and fitted in the center with a basket into which the pellet or stone would fit. The spring-operated release lever is of polished steel and pivots within the stock; its front end is shaped as a hook to receive the basket of the bowstring. The arched rear sight of steel is decorated with moldings and is mounted on the stock behind the release hook; the front sight consists of two vertical steel columns between which a bead originally was suspended. Pellet crossbows shot small stones or molded clay pellets rather than steel-tipped bolts (see acc. nos. 14.25.1591a–l, .1601a–c) and were used solely for killing fowl and small animals such as squirrels, ermine, or marten. Though they lacked the power and range of conventional crossbows, pellet crossbows could be spanned by hand and their missiles stunned or killed the game without piercing the skin and ruining fur or feathers with bloodstains. Pellet crossbows were used throughout Europe from the second half of the sixteenth century at least to the end of the seventeenth century. Bows of this particular type and design, with simple but beautifully carved sculptural ornament on the stock, recall the carving on similar examples from the Medici armory, now preserved in the Museo Nazionale del Bargello in Florence.
Arms and Armor
An exhibit at Metropolitan Museum of Art
The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.