Pair of Flintlock Pistols
John Manton & Son
An item at Metropolitan Museum of Art
The original owner of this remarkably decorated pair of pistols remains unknown, but the pair's opulence and Continental character suggests it may have belonged to George IV (1762–1830) or someone in his circle. Their gold-inlaid locks are among the most lavish produced by John Manton’s firm during his lifetime. The carved eagle on the grip—a feature also found on a pair of the king’s pistols, made for him when he was Prince of Wales, now in the Royal Collection at Windsor Castle (Acc. no. RCIN 6166)—is further enhanced on the Museum's pair with gold-inlaid eyes. The accomplished steel chiseler Manton commissioned to create the pistols' mounts took inspiration from Parisian pistols, which sometimes feature lion heads on their butts. The mounts, which also include elaborate belt hooks chiseled with swirling acanthus leaves, are unsigned. British gunmakers of the late eighteenth and early nineteenth centuries seldom deviated from the sober style that brought them fame throughout Europe and distinguished their work from that of the Continent. But for wealthy clients, particularly the Prince of Wales, later George IV (1762–1830), they shed standard decorative patterns in favor of more ostentatious embellishments. The prince was the preeminent patron of contemporary London gunmakers from the late 1780s through the 1820s, and over his lifetime he commissioned dozens of superlative firearms for sporting, personal use, and presentation. Gunmakers enhanced select firearms and accessories for the prince by substituting silver mounts for traditional steel, adding engraved and gilt ornament to the locks and barrels, and personalizing the weapons with the royal arms and Prince of Wales feathers. But the prince’s affinity for all things French also sometimes guided the gunmakers’ decorative choices. Indeed, he built his palatial London home at Carlton House (demolished in 1827) with an eye to the French Neoclassical style and decorated it with artworks, furniture, and other accoutrements from France. The most elaborate works by royally favored gunmakers catered to this taste and achieved a graceful blend of French-inspired decoration with traditional British design and technology.
Arms and Armor
An exhibit at Metropolitan Museum of Art
The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.