Fist Shield

Fist Shield

An item at Metropolitan Museum of Art

The shield is trapezoidal in outline and longitudinally convex in its median section, with the side edges slightly bent forward. It is reinforced around its edges with hammered turns and the semiglobular heads of the rivets, which once held the lining. A framework of six steel rods is riveted to the surface to stop and entrap an opponent's blade. The hook in the center could also serve this function, but its main purpose was for carrying the shield attached to a waist belt, with its grip on the outside ready to be grasped. The grip is secured by steel straps bridging the hollow of the median ridge. Since the thirteenth century, small round bucklers faced with steel had been used in sword fencing; when not in use they were usually hung from the belt or over the sword hilt. The quadrangular shield with a hollow mid-ridge is of eastern European origin, and appeared in the fourteenth century as the Lithuanian targe; originally these targes were of wood covered with leather to prevent splitting. In the sixteenth century, formal fencing was practiced with rapier and parrying dagger, though conservative fencers retained round or square bucklers, enhanced with cunning devices such as the catch hook. Both techniques are illustrated in the woodcuts of the treatise Opera nova, 1536, by the Bolognese fencing master Achille Marozzo.


Arms and Armor

An exhibit at Metropolitan Museum of Art

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The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.