Helmet

An item at Metropolitan Museum of Art

Based on its decoration and construction, this helmet appears to date from the late Yuan (1279–1368) to the early Ming dynasty (1368–1644), a period from which surviving armor is very rare. The style of decoration exhibits Tibetan and Mongolian influence. The technique of damascening with flat strips of gold instead of gold wire is found on only a few other pieces. The design centers around a flaming mandorla engraved with the image of a seated Buddha, flanked on each side by a lotus on a leafy stalk and a large four-clawed dragon. Other small motifs are interspersed throughout, including flames, clouds, and auspicious symbols from the set known as the Seven Jewels.

Arms and Armor

An exhibit at Metropolitan Museum of Art

The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.

Metropolitan Museum of Art