Closed Burgonet of "Savoyard" Type, Possibly Made for Théodore Agrippa d'Aubigné (1552–1630)

Closed Burgonet of "Savoyard" Type, Possibly Made for Théodore Agrippa d'Aubigné (1552–1630)

An item at Metropolitan Museum of Art

Set off by blued steel surfaces, the etched and gilt flames provide an attractive and thoroughly appropriate decoration for a soldier constantly exposed to firearms and cannon fire.

Arms and Armor

An exhibit at Metropolitan Museum of Art

Closed Burgonet of "Savoyard" Type, Possibly Made for Théodore Agrippa d'Aubigné (1552–1630)Closed Burgonet of "Savoyard" Type, Possibly Made for Théodore Agrippa d'Aubigné (1552–1630)Closed Burgonet of "Savoyard" Type, Possibly Made for Théodore Agrippa d'Aubigné (1552–1630)Closed Burgonet of "Savoyard" Type, Possibly Made for Théodore Agrippa d'Aubigné (1552–1630)Closed Burgonet of "Savoyard" Type, Possibly Made for Théodore Agrippa d'Aubigné (1552–1630)

The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.