Morion
An item at Metropolitan Museum of Art
Forged in one piece this helmet has a high comb across its rounded bowl and an elegantly swept brim rising to sharp points at the front and back. Cheekpieces with chin straps are built up from three overlapping plates. The decorative heads of the rivets securing the lining are lion's masks holding rings in their mouths; the rivet heads on the cheekpieces are brass rosettes. A brass plume holder in the shape of a winged female half-figurine is attached to the rear end of the comb. The entire surface is blackened except for etched and gilt bands of arabesques along the edges of brim and comb and circular medallions on bowl and comb. The smaller medallions on the comb show the arms of the Dukes of Saxony, barry of ten, or and sable, a crancelin vert in bend overall, on one side, and on the other those of the archmarshalship of the empire, per fess sable and argent, two swords gules in saltire overall. The large medallions on either side of the bowl show figural scenes from classical Roman history: the self-sacrifices of Marcus Curtius and of Mucius Scaevola. Morions like this were once equipment of the personal guard––Trabantenleibgarde––of the Prince Electors of Saxony at Dresden, probably Christian I (reigned 1586–91). The colors black and gold were the livery colors of the Electors, taken from the arms of Saxony. The uniform of the guard was also black and yellow: black doublets and yellow trunk hose and stockings. The Trabantenleibgarde consisted of two companies, one mounted (on black horses) and one on foot, each about a hundred men strong. Great numbers of these morions were kept in the Dresden armory until the 1830s when a progressive-minded monarch ordered them to tbe sent to the opera house as stage props in an attempt to rid the armory of too much clutter. Alert dealers rescued them from the ignominous fate of slowly perishing in the obscurity of backstage shelves, and today they are prized collector's objects. This morion is stamped with the proofmark of the armorers' guild of Nuremberg and a master's mark, M R, probably the mark of Martin Rothschmied (died 1597).
Arms and Armor
An exhibit at Metropolitan Museum of Art
The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.