Drawing of a Parade Helmet

An item at Metropolitan Museum of Art

Unlike preparatory designs intended to guide the goldsmith-embosser in decorating an armor, this drawing renders the likeness of a helmet already in existence. It undoubtedly records an example seen in a private aristocratic armory and is probably a study for use by the artist in a portrait of its owner, in which, following the conventions of the time, the helmet of the armored sitter was not worn but rested on a nearby table or ledge. The assured draftsmanship and delicate coloring attest to the skill of the artist, who may have been Venetian but otherwise remains unidentified. Beyond its visual appeal, the drawing is important as a record of an Italian Renaissance parade helmet embossed in high relief in the classicizing manner of Filippo Negroli of Milan. The helmet, which is probably a Milanese work of about 1540-50, still survives and is in the State Hermitage Museum. Saint Petersburg (Z.O. 6160). The helmet today lacks its hinged cheekpieces, one of which is carefully documented in this drawing

Arms and Armor

An exhibit at Metropolitan Museum of Art

The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.

Metropolitan Museum of Art