Armor of Henry II, King of France (reigned 1547–59)

Armor of Henry II, King of France (reigned 1547–59)

Jean Cousin the Elder

An item at Metropolitan Museum of Art

This is one of the most elaborate and complete French parade armors, and it retains much of its original coloring. The surfaces are covered by dense foliate scrolls inhabited by human figures and a variety of fabulous creatures that derive from the Italian grotesque. The decoration includes, at the center of the breast, a Roman warrior receiving tribute of arms from two kneeling females and, on the shoulders, Apollo chasing the nymph Daphne (front) and Apollo with the slain monster Python (back). The crescent moon, one of the badges of Henry II (reigned 1547–59), appears in several places. Twenty original design drawings for this armor survive. One is by Jean Cousin the Elder; the rest are by either Étienne Delaunne or Baptiste Pellerin. All three were distinguished Parisian artists of the mid-sixteenth century.


Arms and Armor

An exhibit at Metropolitan Museum of Art

Armor of Henry II, King of France (reigned 1547–59)Armor of Henry II, King of France (reigned 1547–59)Armor of Henry II, King of France (reigned 1547–59)Armor of Henry II, King of France (reigned 1547–59)Armor of Henry II, King of France (reigned 1547–59)

The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.