Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia

Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia

John Targee

An item at Metropolitan Museum of Art

Following the War of 1812, the State of New York awarded twelve swords to military officers who commanded troops within its borders. This example was presented posthumously to Brigadier General Daniel Davis (1777–1814) of the New York Militia, who died during an engagement at Fort Erie on September 17, 1814. The sword's design reflects the classical inspiration of the Federal period. The hilt, with its downturned shell, is based on French Empire models. The image of Hercules and the Nemean Lion, emblematic of strength and courage, is probably copied from an English engraving after a Classical gem or cameo. The eagle-headed pommel, on the other hand, is typically American, as is the style of engraving on the scabbard, illustrating the battle.


Arms and Armor

An exhibit at Metropolitan Museum of Art

Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York MilitiaPresentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York MilitiaPresentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York MilitiaPresentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York MilitiaPresentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia

The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.