Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count  Antonio IV Collalto (1548–1620)

Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count Antonio IV Collalto (1548–1620)

An item at Metropolitan Museum of Art

This cantle plate belongs to a horse armor (21.139.1a–w), which is covered with etched ornament that includes undulating foliage, mythological creatures, winged putti, and heroes from Biblical and Classical history, such as David and Goliath and Marcus Curtius. The exuberant sketchlike quality of the etching and the preference for overall decoration suggest an origin in Brescia, the second most important armor-producing center in northern Italy after Milan. Brescia was the principal supplier of arms to the Venetian Republic. Like another Italian horse armor in the Metropolitan Museum's collection (acc. no. 21.139.2), this example comes from the armory of the counts Collalto at the castle of San Salvatore, near Treviso. It is one of the few complete horse armors to survive from the late sixteenth century, when heavily armored cavalry played a diminishing role in warfare. It was probably made for Count Antonio IV Collalto (1548–1620), possibly in 1589, when he was appointed commander of the Venentian army. The associated man's armor (acc. no. 14.24.709a–p) is a composite of old and new pieces. Genuine elements from an Italian garniture of about 1570 are combined with restored pieces that were made as substitutions for the missing original parts.


Arms and Armor

An exhibit at Metropolitan Museum of Art

Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count  Antonio IV Collalto (1548–1620)Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count  Antonio IV Collalto (1548–1620)Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count  Antonio IV Collalto (1548–1620)Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count  Antonio IV Collalto (1548–1620)Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count  Antonio IV Collalto (1548–1620)

The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.