Horse Armor Made for a Member of the Collalto Family

Horse Armor Made for a Member of the Collalto Family

An item at Metropolitan Museum of Art

This horse armor, dating from about 1560, is one of the few complete examples of its period to be preserved. It comes from the armory of the counts Collalto at the castle of San Salvatore, near Treviso, where it was presumably kept from the late sixteenth until the early twentieth century. The bands of etched ornament include classically inspired trophies of arms and armor and musical instruments. These were standard decorative motifs on Italian armor of the period, but here, they are depicted with much more precision, on a larger scale, and in far greater detail and variety than usual. The high quality of the horse armor and its elaborate decoration indicate that it must have belonged to a leading member of the Collalto family, perhaps Collatino Collalto (1523–1569), who was famous both as a soldier and as a man of letters. The associated man's armor also in the Metropolitan Museum's collection (acc. no. 14.25.717a–r), dating from about 1575, is part of a small garniture that included exchange elements for the battlefield and reinforcing pieces for the tournament. The breastplate is a restoration.


Arms and Armor

An exhibit at Metropolitan Museum of Art

Horse Armor Made for a Member of the Collalto FamilyHorse Armor Made for a Member of the Collalto FamilyHorse Armor Made for a Member of the Collalto FamilyHorse Armor Made for a Member of the Collalto FamilyHorse Armor Made for a Member of the Collalto Family

The principal goals of the Arms and Armor Department are to collect, preserve, research, publish, and exhibit distinguished examples representing the art of the armorer, swordsmith, and gunmaker. Arms and armor have been a vital part of virtually all cultures for thousands of years, pivotal not only in conquest and defense, but also in court pageantry and ceremonial events. Throughout time the best armor and weapons have represented the highest artistic and technical capabilities of the society and period in which they were made, forming a unique aspect of both art history and material culture.